Visit Alice’s Adventures in Wonderland on Saturday, April 25, between 10 a.m. and 5 p.m. and revel in activities that are free the young and young in your mind. It is possible to be involved in writing activities with teaching artists from Austin Public Library Friends Foundation’s Badgerdog Creative Writing Program or build relationships Lewis Carroll–inspired math activities with local math literacy organization Math Happens. University of Texas at Austin museum theater students will lead visitors through the galleries. Additional activities include docent-led exhibition tours and story times into the theater. Family days are generously supported by a grant from the Austin Community Foundation, with in-kind support provided by Terra Toys.
Below is a schedule that is detailed
Teaching artists from Austin Public Library Friends Foundation’s Badgerdog Creative Writing Program will lead writing activities at the top of the hour from 10 a.m. through 4 p.m.
Join a docent-led tour associated with exhibition at noon, 2 p.m., and 4 p.m.
Enjoy story time in the theater at 1:15 p.m. and 3:15 p.m.
Follow University of Texas at Austin museum theater students through the galleries between 10 a.m. and noon.
Complete Lewis Carroll–inspired math activities with Math Happens while you tour the galleries.
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Before and After: “Alice’s Adventures in Wonderland” Movie Jecktors
The exhibition Alice’s Adventures in Wonderland features two 1933 toy paper film strips called Movie Jecktors. The movie strips portray two of the most extremely memorable areas of the Alice story: “Down the Rabbit Hole” and “The Mad Hatter.” Images and text are printed in three colors on 35? strips of translucent paper. The strips are rolled onto wooden dowels and kept in colorfully printed little boxes. The Movie Jecktors could have been used in combination with a toy film projector to produce a simple animation.
The Ransom Center’s Movie Jecktors required conservation before they are often safely displayed into the galleries. Both the wooden dowel and also the storage box, which is manufactured from wood pulp cardboard, had a high acid content. An acidic environment is harmful to paper. The Movie Jecktors had become brittle and discolored, and there have been many tears and losses to your paper. The movie strips have been repaired in past times with pressure-sensitive tapes (the tape that is common all used to wrap gifts). These tapes should never be suitable for repairing paper because they deteriorate and often darken over time and are also difficult to remove once in place that we hope to preserve.
Due to the fact Ransom Center’s paper conservator, I removed the tapes using a heated tool and reduced the rest of the adhesive using a crepe eraser. I mended the tears and filled the losses using paper that is japanese wheat starch paste. For the fills, the Japanese paper was pre-toned with acrylic paint to permit these additions to blend using the original paper. Aspects of ink loss were not recreated.
Visitors to the exhibition is able to see the aspects of the filmstrips which were damaged, but those areas are now stabilized and less distracting. This type of treatment reflects the practice of conservation to preserve, although not “restore,” the object’s original appearance. Libraries, archives, and museums today often select the conservation approach because it allows researchers as well as other visitors a better knowledge of the object’s history, including damages that occurred, which may talk to the materials utilized in the object’s creation.
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Please click on thumbnails to enlarge images.
Easter weekend hours
The Ransom Center will soon be open throughout Easter weekend, including on Friday, April 3, from 10 a.m. to 5 p.m, as well as on Saturday and Sunday from noon to 5 p.m.
Free gallery that is docent-led occur daily at noon and Saturdays and Sundays at 2 p.m. No reservations are expected.
Admission is free. Your donation will offer the Ransom Center’s exhibitions and programs that are public. Parking information and a map can be obtained online.
Please additionally be aware that the Ransom Center’s Reading and Viewing Room is open from 9 a.m. to 5 p.m. on Saturday, April 4.
Receive the Harry Ransom Center’s news that is latest and information with eNews, a monthly email.Subscribe today.
John Crowley, whose archive resides at the Ransom Center, is an author that is american of, science fiction, and mainstream fiction. He published his first novel, The Deep, in 1975, along with his 14th amount of fiction, Lord Byron’s Novel: The Evening Land, in 2005. He’s got taught writing that is creative Yale University since 1993. A particular 25 th -anniversary edition of his novel Little, Big will likely be published this spring. Below, he shares how Lewis Carroll’s classic Alice’s Adventures in Wonderland influenced his own work.
A crucial (best sense) reader of my work once wrote a whole essay about allusions to and quotes from Lewis Carroll’s Alice’s Adventures in Wonderland books in a novel of mine called Little, Big—a very Alice kind of title to start with. Some of the quotes and allusions, while certainly there, were unconscious; the turns of phrase and paradoxes and names in those books are so ingrained they simply form part of my vocabulary in me that. I first heard them read out: my older sister read them to me whenever I was about eight yrs old. I don’t remember my reaction to Alice in Wonderland—except for absorbing it wholly—because for several books read or heard at certain moments in childhood, there is absolutely no first reading: such books enter the mind and soul as though that they had always been there. I actually do remember my reaction to Through the Looking Glass: I found it unsettlingly weird, dark, dreamlike (it really is in reality the dream-book that is greatest ever written). The shop where in actuality the shopkeeper becomes a sheep, then dissolves into a pond with Alice rowing while the sheep within the stern knitting (!)—it wasn’t scary, nonetheless it was eerie I was then becoming a connoisseur because it so exactly replicated the movements of places and things and people in my own dreams, of which. How did this book find out about such things?
Another profound connection I have with Alice I only discovered—in delight—some years ago in (of all places) the Wall Street Journal. This neurological condition makes objects (including one’s own body parts) seem smaller, larger, closer or more distant than they really are in an article about odd cognitive and sensory disorders, it described “Alice in Wonderland syndrome:” “Named after Lewis Carroll’s famous novel. It’s more common in childhood, often during the start of sleep, and will disappear by adulthood…”
We have attempted to describe this syndrome to people for a long time, and do not once met anyone who recognized it from my descriptions. In my experience it is more odd an atmosphere than this, and more ambivalent: personally i think (or felt, as a young child, hardly ever any longer) as if my hands and feet are huge amounts of miles distant from my head and heart, but at the same time I am enormously, infinitely large, and so those parts have been in exactly the same spatial reference to myself as ever, if not monstrously closer. It had been awesome into the sense that is strict not scary https://edubirdies.org or horrid, uncomfortable but in addition intriguing. I wonder if Carroll (Dodgson, rather) had this syndrome. I’ve thought of including it to my resume: “John Crowley came to be into the appropriately liminal town of Presque Isle, Maine, so when a kid suffered from or delighted in Alice in Wonderland syndrome.”
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